100 Flowers

was born out of a need to find light during a deeply challenging time. While living in Victoria, BC, I faced an emotionally turbulent period as my partner endured a serious mental health crisis that culminated in hospitalization. The weight of this reality felt suffocating, as though the walls were closing in. In search of solace, I found myself drawn to the gardens scattered around the city, where I sought moments of peace and tranquility. These simple, solitary walks in nature became my refuge—a place where I could recharge, gather strength, and prepare myself to be the support my partner needed.

Over time, this ritual of visiting the gardens became more than just an escape; it became a source of healing and transformation. Each flower I photographed became a symbol of resilience, beauty, and hope.

At its heart, this body of work is not just a collection of images; it’s a testament to the power of nature to offer solace in our darkest hours. My hope is that these vibrant, colourful photos not only bring joy but also remind us of the simple, healing power of nature. I want these images to inspire everyone to seek comfort in the natural world during their own difficult times.

The decision to include 100 images was inspired by Edna St. Vincent Millay’s poem, “Afternoon on a Hill”, in which she writes, “I will touch a hundred flowers and not pick one.” This line resonated with me deeply. I, too, touched a hundred flowers—photographing them, appreciating their beauty, and leaving them undisturbed. This process of engaging with nature without taking from it felt profound. Each flower I captured allowed me to share in the marvels of the natural world, offering me comfort without consumption.